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Are you a fan of the Comics here? Read This!

🕑 Added 2019-03-02 11:59:11 +0000 UTC

Comments

Ready Art

Hey thanks for that very thoughtful response. Great to hear from you and I appreciate your support along with all the others who have stuck in there for the long haul. A few things: One, I always work to improve my art and bring my best to not only myself but my fans. It starts with me being happy and I do hope to bring that to you too. Two, I think your assessment of the comics is spot on and it’s exactly what I have been working on for the last while. When I put out the call last year for collaborators, I was looking for a reboot/reintegration of the series. Less of a total reboot and more of a consolidation of what was already there. Basically, some clever writing partner that could help me gather up the loose ends and have everything make a lot more sense. So yes, I think that would be a good idea and, let’s be honest, a not small task given the amount of characters and backlog to all the stories. I’m not looking to diminish what you are suggesting, only pointing out we are talking about a lot of work. Three, yep again, I am using the animation tier to tell GLab stories. I agree most people in that tier likely want awesome transformation animations over all else but if I can put in some Glab related work while I do it – so be it. Four, a writing tier? Hadn’t considered that but sounds interesting. I am not sure what you mean by it though in terms of what it would entail. Thanks again and I do appreciate the great input!

Abazaba

Well maybe once you are through the back log. Try doing a soft reboot of sorts, essentially taking what you have and using it to retool your universe. Since you already seem to have a story in mind, use what you have to refocus that story. Make an outline, one that takes you from the start of the story to where you want to go. Then take the pieces you have already done and use them. Clean the up, and use the sketch parts and use them to make more detailed images. This is something you seemed to start doing with Glab. Now it is just a matter of continuing to refine it, maybe even combining episodes. Even skipping some things that are more story elements and just writing them down in story form without pictures. Then using those parts to stitch the comic pages together. This would mean you would need less dialog on the comic pages, and they could be used mostly for process, and background work that adds to the story. Think of the art more as concept art, and process pieces rather than a full comic. Once you have that then you can better form it into a comic format if you choose to later. Additionaly think about using the animation tier as tool for your comic. Rather than doing a random scene use it to make a process scene in the comic into an animation. This would let you hit two birds with a single stone, and give you more time as well. More or less thinking about the story as a whole, and forming the process scenes around that. Since I would go out on a limb and assume many of your patrons care little for the universe and story and just want to see the process comics/animation. So use that to your advantage and draw out as little of the story elements as possible. Also in that vain, you could start a writing tier. Since I am sure there are those who might be willing to spend on just that. This would give you more motivation to do more writing and universe building without the drawing aspect. Lastly don’t worry about us so much. Most of us have followed you for a long time now. We want you to do what is going to keep you motivated. So if that means less content for a while while you focus on other aspects of the universe. I think most of us would be down for that, if it creates a better product in the long run.

Ready Art

Yah, as I said above, right now the thing I am looking for is a solution addressing the production of the comics versus ways to drain out the surplus I have going. Any idea involving something along the lines of "Hey just drop X more pages a month" isn't ideal for me. I'd like to increase the quality (add color, improve overall plotting, production help) as well as address the basic creation of the work I already have BEFORE I start unloading all the work I have stockpiled. I also mentioned above there is still the lettering to do and though minor, it's not a nothing job. If anything changes though - you all will be the first to know.

Louis Thomas

I wouldn't mind the weekly comics being upped to 15 pages

Ready Art

Yep, can't disagree and the Soap Opera effect is exactly the result of the pacing at the moment, hence the request for help. I think you are pointing at EXACTLY the correct solution, less pages and more production per story. Basically, 20-30 pages of highly produced work might end up requiring as much time as 200 pages of looser Soap Opera content. Ideally though, I can get some help and I will keep everyone posted. Again, to be clear, I would LOVE to have a 20-40 page color output of comics if possible or reasonable, along with all the other Patreon commitments!

qwerpyblah

that was a good response(and I'm glad my intentions came across clear, I would have hated it if my comment had upset you), after giving it some thought since I posted that comment, personally I think the best solution for future comics once you get through the backlog that's currently made(maybe even do some tweaking to some of them if necessary) would be to do shorter, more tightly paced comics, like try for 30 to 50 page comics, obviously if a story needs to go longer than do it though(Growth Labs 4 & 6, which I still consider to be among your best comics were 47 pages and 59 pages respectively for example), also might be a good idea to shift focus to some different characters once this arc in your backlog is done, I think part of the repetitiveness comes from the fact that recent stories have mostly focused on the same 5-10 characters(not counting nameless grunts), so there's been a bit of a "Soap Opera" effect where it feels like not much is happening


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