ozzy3d
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Immersion Breaker for Ellen Page set
🕑 Added 2021-04-15 07:19:14 +0000 UTC Hello, hardcores! Finally my EP set has been released for the rest of the world. Took me damn near a month to get to this point. Up above are Ellen Page and her then-GF (now spouse) back in I think 2017. The other is Ellen as part of an interview shoot in her living room. Both are proof-positive that she used to live here. You can see that it's a pretty nice, low-key house in the Hollywood Hills and was too good to pass up as a setting to get fucked in. No joke, I have the entire house room-for-room burned in my head. Having looked back on what I've done, I can say that I could have put a lot more effort in getting every detail correct based on what I had available. In Blender this would have been no big deal. In Daz, you are limited to what you have or can acquire, and in my case I don't want to pay anything so I have to be resourceful. Things like the cushions, the bases of the couches, and other particulars could have been ironed over or tweaked for a closer resemblance. Seeing as how this was spur of the moment change that fundamentally altered the setting, I had to piece it together as I went along. This was not some grand plan I had in mind at the start. The immersion killer / breaker pics at the bottom above show the proper sequence, whereas in completion terms it was 3, 2, 1, 4. Lots of juggling around with scenes, what needed to be included when and where, etc. It sucked, and I had family over for the majority of the time I was working on it! It's one thing to pose, it's another to do multiple poses, and it's another to figure it out in a sequence that requires continuity. For instance, getting each laptop shot correct in whatever Juno scene they were on in terms of when in the movie it took place and what picture order it should be. Why are they watching Juno while fucking? Who knows... One of the biggest things I rely on when doing scenes are background sreens. It's practically a crutch of mine. It's what puts my pictures over the edge, I feel, and I've been doing it since my SFM days. Easy way to add flavor to a picture instead of some bland wall. So there's some information for you. Hope it doesn't totally kill your vibes and remove the curtain too harshly on how this was done. Every 3D artist does it to certain extents.
Comments
Much love. If I had planned it this way from the start it would have been less of a hassle. A buddy of mine and I do this with each other's 3D stuff and it's fun to see our process: what worked, what didn't, putting pieces in place, creating illusions for the viewer to show that it's all a shitshow when it's not just the final product they're looking at.
I don't mind this kind of background information at all; I'm fucking thrilled whenever somebody pulls back the curtain on this Rule 34 stuff, I wish it happened more, honestly. I'm the type of guy who enjoys stuff even more when I know how it's made, it's why I obsessively comb through the special features of my blu-rays and shit. The attention to continuity with Juno in the background is impressive, Ozzy. You baked a world of detail into the whole set, and it's always something I appreciate because it's so easy for a lot of artists to just go "eh, fuck it; I'll get lazy here. They'll never notice or appreciate it anyway". Yes, we do (or at least, I do). And I always appreciate craftsmanship, no matter what it is. I don't know why those little horny bastards were watching Juno, but if I had to filter it through my own experience: the first time I watched it I wanted to bend her over a desk and slam her cervix raw. It's probably an aphrodisiac for the little fuckers.
