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The Colo(u)r of Money(1986) Watch along!
🕑 Added 2025-07-19 12:00:12 +0000 UTCYo!!!
****Spoilers Below****
I absolutely loved THIS MOVIE!! I think it's a brilliant continuation of Fast Eddie Felson’s story!! Paul Newman’s performance is nothing short of iconic, showcasing his incredible range as an actor. I definitely rambled on and made no sense in my outro, so here is my attempt to write something in honour of how much I appreciate Paul Newman's Artistry!!
I loved his growth in the film from the first. His transition from the cocky, young pool shark of the original to a world-weary mentor figure, rediscovering his passion for the game. I think this evolution was an inspirational take on revisiting a character. His portrayal of Eddie’s redemption arc and reclaiming his love for pool after years away from it is both heartfelt and captivating, and my favourite part of this movie. The way Newman balances charm, hardened, and vulnerability makes every scene he’s in unforgettable. Eddie’s journey of self-discovery proves you can return to what you love with renewed purpose. I loved his breakdown scene so so much. And his outdoor scream of victory outside! AHH he's remarkable!
Martin Scorsese is a master storyteller and creates atmosphere and aesthetic so damn well. Scorsese’s dynamic camera work and vibrant visuals elevate the pool halls in this movie, transforming them into arenas of high stakes and raw emotion. The chemistry between Newman and a young Tom Cruise, who plays the cocky but talented Vincent, is awesome. Their mentor-student dynamic was an intriguing aspect of this film, exploring themes of ambition, legacy, and the cost of pursuing greatness.
One standout aspect I forgot to mention but did kinda hint at in my long ass outro! is how the film captures the evolution of pool culture. Where The Hustler was gritty and somber, The Colour of Money feels alive with 1980s flair. Really showcasing the pool tables! I loved the black and white of The Hustler, but the colour and shots in this film really elevated the aesthetic for me, as well as the green symbolism of money. The Rock music soundtrack kicked ass, and a faster pace that mirrored the changing times was cool to see.
Note: I experienced a technical issue while recording. My computer crashed, and I thought my mic was on! Apologies for any audio hiccups, but I'm pleased to report that I managed a solid edit this time. Tech issues always sting, but the show must go on! My backup mic saved the day, though I’m considering investing in a higher-quality one for these rare emergencies. Fortunately, they don’t happen often!
xx
ames
Comments
Henry Graham
I just got around to watching this reaction, and really enjoyed revisiting the film with you. I liked what you said afterwards about how Scorsese has such compelling female characters in his films, as I feel that is an often underrated aspect of his work, with people focusing on the masculinity in his pictures. I love Mary Elizabeth Mastrantonio's performance in this. She creates such a sharp, watchful, self-assured character - in some ways she is Eddie's true protégé. On the subject of Scorsese's relationship to women, I like the story from early in his career, when he was trying to get the job of directing Alice Doesn't Live Here Anymore in 1974. Ellen Burstyn told him that she watched Mean Streets and it had only one female role, and she asked "Do you know anything about women?" Scorsese replied, "No, but I'd like to learn!" He got the job, and Burstyn won an Oscar.
Clay F
Paul Newman blows me away. He's so good. Agree that the movie has a cool opening. Also, being in color does add, especially with the table and the balls. I noticed that he still drinking J.T.S. Seems like losing to (being hustled by) Amos (Forrest Whitaker) was a catalyst.
