Andelain
patreon
Dollhouse 2x06 full-length reaction
🕑 Added 2025-05-20 15:55:00 +0000 UTCFor copyright reasons, full-length reactions don't include the show or movie footage, so you'll need your own copy to watch along with me. Ideally, you'll need two screens or two browser windows. One for the reaction, and the other for the show you're watching. Using your phone is also viable to watch one of them.
As many different streaming services in different countries often play trailers or recaps before the show starts, the easiest way I've found to sync up footage is to find the first RECOGNISABLE frame (ie. not a black screen) of the episode. Don't worry, I'll show you the frame to look for at the beginning of each full-length reaction!
This will be:
✨The first frame of the opening credits.✨
OR
✨The first frame of the cold open.✨
Once you've found the approximate frame on your copy, pause it. Next, play the reaction and you'll see a countdown timer at the end of the intro and when the show is about to start. Press "play" on your copy when the timer reaches 0:00.
A small (but muted) portion of the show will stay on the screen to allow you to properly sync up your copy if you need to adjust it. The easiest way to eliminate any small discrepancies between the two is to rapidly pause and unpause the video that's ahead until both are running simultaneously.
Note: Some of my older shows might have the first frame after the opening credits.
Comments
David Murray
Soo...se3 could have been Bennett uses her marrying brain maps tech to create Caroline activists, to clear Rossum the same way Perrin was used to clear Rossum. From there she gets detected as resistant and sent to LA by the director with the underlying Caroline map left in place.
Preaching to the Horse's Mouth
The music whenever Topher and Bennett interact, stop 🎶💘👩❤️👨😆
Preaching to the Horse's Mouth
Nah, bruh, that's the full Enver Gjokaj playing Victor playing Fran Kranz playing Topher. (I think I got that right lol) No voice dub, no nothin'. Dude's just next level.
